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TOPIC: George Floyd
George Floyd 03 Jun 2020 06:25 #1
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George Floyd 03 Jun 2020 08:14 #2
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liberabo te ab inferno
875 020 079 He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: "'The horror! |
George Floyd 03 Jun 2020 09:37 #3
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liberabo te ab inferno
875 020 079 He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: "'The horror! |
George Floyd 03 Jun 2020 14:57 #4
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Chaos Erupts As Urban Warfare Hits Major U.S. Cities – with Guests Ole Dammegard & Cody Snodgres Streamed live on Jun 1, 2020 Jason Goodman Major U.S. Cities have experienced multple nights of chaotic criminal rioting, attacks on police forces, mass robery and violence. Multiple points of evidence indicate agents provacatuers are agitating for war in our urban centers. Ole and Cody join me to discuss this troubling development. . . . YouTube link |
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George Floyd 03 Jun 2020 17:28 #5
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annabelle wrote:
RIP George Floyd It turns out that George Floyd was a career violent criminal imprisoned at least 5 times including 5 years for entering a woman's home and pushing a gun into her stomach whilst his accomplice beat her in the head with his pistol. Why am I not suprised?  nypost.com/2020/06/02/george-floyd-had-violent-criminal-history-minneapolis-union-chief/ |
George Floyd 03 Jun 2020 17:55 #6
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“Matching Tattoos” – George Floyd porn actor?
“Destroying one of the most prolific and wealthiest countries in human history, because a class B pornstar was killed. I am done.” — Anon 
From the 8Kun Q Research Board 
Well, there you go. radiopatriot.net/2020/05/30/matching-tattoos-george-floyd-porn-actor/ |
George Floyd 03 Jun 2020 18:14 #7
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liberabo te ab inferno
875 020 079 He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: "'The horror! |
George Floyd 03 Jun 2020 18:32 #8
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exilium wrote:
Lux Interior wrote:
Sooner or later we will all suffer if we don't stop buying their wares, exchanging our labour for their precious. It will take a whole lot more than a simple boycot and 'sit on your ass' to take on the world wrecking parasite. |
George Floyd 03 Jun 2020 18:49 #9
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Untold Tales: The Fires This Time – What Next?
June 3, 2020 renegade Sencha MacRae goes over the recent race riots and how BLM and other anti-Whites must not care about real facts and statistics. www.untoldtales.net/uploads/5/4/7/1/54712775/george_floyd_final.mp3www.renegadetribune.com/untold-tales-the-fires-this-time-what-next/ |
George Floyd 03 Jun 2020 22:27 #10
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George Floyd 03 Jun 2020 22:51 #11
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Birth is not a beginning; death is not an end. There is existence without limitation; there is continuity without a starting point.” ~ Chuang Tzu
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George Floyd 03 Jun 2020 23:06 #12
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liberabo te ab inferno
875 020 079 He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: "'The horror! |
George Floyd 03 Jun 2020 23:19 #13
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peacenik wrote:
.....And this is how Western civilization ends. Not by criminal gangs, not by lawless emigrants, not by a foreign army. The West will fall due to white people groveling and apologizing for the color of their skin before their negro overseers, Like these white cowardly people. www.thegatewaypundit.com/2020/06/cult-thousands-whites-grovel-front-blacks-begging-forgiveness-video/ I pray to God that he kills me rather than allow me to become like these worthless white trash.
Cleon Peterson’s Dystopian (Anti-White?) Future
October 9, 2014, The Arts and Culture /by Kevin MacDonald 
“Glory”
It’s well known that the art world has been a fiefdom of the left for over a century, so finding art that speaks to the issues facing White America seems unlikely at best. It’s obvious enough that Cleon Peterson‘s paintings depict a world of savage violence and depravity: Artslant In Cleon Peterson’s End of Days, … Peterson’s world of depravity does not simply crash and burn: it reverses polarity, inherited not by the meek but by the vengeful and merciless. Whatever days have ended, they have been succeeded by a new age of barbarism, with clear winners and losers. The triumphant take no trophies, apart from the occasional severed head, but the defeated have clearly lost more than their viscera – they have lost all semblance of control, dignity, strength and, most of all, hope. But not all is lost, nor is it over. If that sounds like the good news, well, it’s not. The scenes of brutality are depicted in medias res, after the first blows were struck, in most cases not quite lethally. As the victims live to suffer, their tormenters seem to revel in that persistence. In fact, the tormenters, which Peterson calls the “shadows,” appear to derive their strength from their subversion. … Many of those scenes have featured characters with physical appearances largely undifferentiated from one another, suggesting a classless unsympathetic society, yet in this new body of work Peterson incorporates “shadow” figures and a new dichotomous order. There are haves and have-nots, but amid the havoc it’s hard to decide who’s who. 
Cleon Peterson
Obey: Cleon Peterson’s nightmarish tableaux feature scenes of a barbaric holocaust, where might is right and the weak are merely souls with holes for the strong to torment and abuse. Deviance is the norm, and the displaced individual is forced to navigate this wicked world alone, finding hollow bits of pleasure and meaning in violence, sex, religion and drugs. Although the 39 year-old California artist chuckles, “My work doesn’t just contain violence, there’s a humour to it – the images are so over the top.” A horde of uniform bad guys, at once ethnic, gothic and alien rampage through the works, sacking small the metropolis within and wantonly abusing its law-abiding residents. These bogeymen are so comically stereotyped as to infer that oppressors take many forms, throughout history to the present day, from slavers and plutocrats to bullies and witch-hunters. What’s not emphasized or even mentioned is that the vast majority of his paintings depict black figures attacking and eviscerating white figures. The brief mention of the “ethnic” character of the violence in the above quote is the only reference I have found to what is painfully obvious. Peterson is often described as depicting a dystopian future, but I have yet to see anyone point out that in this dystopian future whites are mercilessly victimized by blacks. A title like “Vengeance” has an obvious connotation of black revenge. 
“Vengeance”
“Justice” could be interpreted to mean that the blacks standing over the soon-to-be white victims are meting out justice or, ironically, that this is the perverted sense of justice that will prevail in the future. 
“Justice”
In many of the paintings the black figures assaulting whites are in uniform — they have the power. One can’t help thinking of this as a vision of the consequences of giving up power to people with historical grudges, as Whites around the world are doing. 
“After Dark”
“The Weak and the Powerful”
“End of Days”
Read more |
George Floyd 04 Jun 2020 08:57 #14
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isaiah 47 : 10
10 You felt secure in your wickedness; you said, “No one sees me”; your wisdom and your knowledge led you astray, and you said in your heart, “I am, and there is no one besides me.” |
George Floyd 04 Jun 2020 09:45 #15
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isaiah 47 : 10
10 You felt secure in your wickedness; you said, “No one sees me”; your wisdom and your knowledge led you astray, and you said in your heart, “I am, and there is no one besides me.” |
George Floyd 04 Jun 2020 11:40 #16
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liberabo te ab inferno
875 020 079 He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: "'The horror! |
George Floyd 04 Jun 2020 23:14 #17
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George Floyd 04 Jun 2020 23:26 #18
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George Floyd 05 Jun 2020 16:16 #19
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TAKING A KNEE 1- 
TAKING A KNEE 2..  
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George Floyd 05 Jun 2020 16:20 #20
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THE APES GO BANANAS..
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