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TOPIC: Music, Mind Control, and Psychobiology

Music, Mind Control, and Psychobiology 27 Sep 2015 21:28 #1

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Dr. Hans Utter - “Music, Mind Control, and Psychobiology, Pt. 1” - #232



Episode 232 is an interview with Dr. Hans Utter, titled: “Music, Mind Control, and Psychobiology”. This episode is being released Sunday, June 21, 2015, and was recorded June 17.

Hans Utter is an exponent of the prominent Imdad Khan gharana, an unbroken line of seven generations which has made significant contributions to the development of classical Indian music.

As a disciple of Ustad Shujaat Khan, son of the illustrious sitarist Ustad Vilayat Khan, Hans has trained intensively in India for nearly two decades.

Hans’ unique musical background combines professional experience in diverse styles including jazz, Western classical, electro-acoustic music, and composition.

He performs regularly in the United States, India, and Europe, and is the recipient of sixteen national and international awards and grants, and has worked with artists such as Dizzy Gillespie, John Abercrombie, Ustad Shujaat Khan, Ustad Hidayat Khan, Steve Gorn and Chuck D.

He holds a Doctorate degree in Ethnomusicology from The Ohio State University. He has taught at the Ohio State University, Capital University and the Indira Ghandi National Open University. He is the author of Trance, Ritual and Rhythm (2010), and has three books currently in press.

He lectures frequently around the world on various topics including Sufism, Indian music and Music & culture of Central Asia. Hans has been imparting music lessons (both in person and online), master class/workshop/lecturer demonstrations in North Indian classical sitar & guitar, and Western jazz & blues in guitar around the world.

Currently, he works as a professional musician, composer and producer. He is a Teaching Artist/Artist in Residence, Ohio Arts Council, USA and Research fellow for the Advancing Interdisciplinary Research in Singing (AIRS) project, University of Prince Edward Island, Canada.
I remember the good old days, when 90+ year olds in nursing homes lived forever. Darn this pesky virus.

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Last Edit: 27 Sep 2015 21:31 by novum.
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Music, Mind Control, and Psychobiology 27 Sep 2015 21:31 #2

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Prior Related Episodes:

Hans Utter interview – “Ethnomusicology” – #099 (Members only)
www.gnosticmedia.com/hans-utter-interview-ethnomusicology-099/.

Joe Atwill interview, pt. 12 – “I Am The Walrus! The Beatles and the Typology of Genocide” – #223 (Members only)
www.gnosticmedia.com/joe-atwill-12-i-am-the-walrus-the-beatles-and-the-typology-of-genocide-223/

An Interview with Gavan Kearney – “What is Art? The Degradation of Society through “Modern Art”” – #187 (Members only)
www.gnosticmedia.com/interview-gavan-kearney-art-degradation-society-modern-art-187/

Dave McGowan Interview- “The CIA and the “Magic” of Laurel Canyon - Covert Ops & the Dark Heart of the Hippie Dream” - #186 (Members only)
www.gnosticmedia.com/interview-dave-mcgowan-cia-magic-laurel-canyon-186/

Dave McGowan Interview, pt. 2 - “The CIA and the Music of Laurel Canyon – The Magic Carpet Ride” - #198 (Members only)
www.gnosticmedia.com/DaveMcGowan2-magic-carpet

A Conversation with Joe Atwill – “Mind Control and Weaponized Anthropology” – #167
www.gnosticmedia.com/a-conversation-with-joe-atwill-mind-control-and-weaponized-anthropology-167/

Dr. Jason Martineau interview – “The Spiritual Dimensions of Music” – #109
www.gnosticmedia.com/dr-jason-martineau-interview-the-spiritual-dimensions-of-music-109/

John Martineau interview – “Quadrivium – Number, Geometry, Music, & Cosmology” – #103
www.gnosticmedia.com/john-martineau-interview-quadrivium-number-geometry-music-cosmology-103/

Psychedelic Intelligence: The CIA and the Counterculture
I remember the good old days, when 90+ year olds in nursing homes lived forever. Darn this pesky virus.

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Last Edit: 27 Sep 2015 21:37 by novum.
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Music, Mind Control, and Psychobiology 30 Sep 2015 05:15 #3

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I remember the good old days, when 90+ year olds in nursing homes lived forever. Darn this pesky virus.

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Music, Mind Control, and Psychobiology 30 Sep 2015 05:35 #4

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But remember what can be used for the positive will always be used for the negative in a positive World system run by mad Satanists globally!

Mind control or music therapy?: Students try alternatives to prescription drugs



It’s the night before a test and students are cramminglast minute information. Some cocoon in the library late into the night; othersfrantically cram in the seclusion of their rooms.

Many of these students are able to stay awake thanks tocaffeinated drinks, while others turn to different kinds of drugs.

According to the National Center for Addiction andSubstance Abuse, roughly a third of students struggling through their collegestudies abuse prescription ADHD (Attention Deficit Hyperactive Disorder) medicationssuch as Adderall, Vyvanse and Ritalin. Based on this statistic, as many as10,000 students at UTSA may be using ADHD medication to get ahead in theirstudies.

Taking performance-enhancing drugs can come at a highprice. Prescription medication can cause side effects. These include increasedheart rates, insomnia and marked irritability.

In the wake of the increasing demand for energy and mentalclarity among college students, an innovative and cutting edge method oftherapy has been developed free of any side effects.

Brain Shift Radio, an Internet site that allows users tomanipulate different beats according to their desired mental state, hasincreased in popularity as a way to increase mental performance.

The Strong Institute, a developer of brain stimulationprograms for individuals with neurological disorders, created the site as amusical supplement to common prescription drugs. Founded in 1994, the StrongInstitute is known primarily for work with autistic individuals.

“Our work started with children on the Autism Spectrum,”states Strong. “We found rhythmic combinations that caused immediate calm. Theperfect mix of novelty (in the complexity of the rhythmic stimulus) andprogressive stimulation made for a unique approach to so many of the challengesfaced by individuals with Autism. As our data grew, so did our ability toaddress more complex and varied symptoms of neurological disorders.”

The institute claims to have developed a musical therapysite that is nearly twice as effective as 20mg of Ritalin (a focus enhancingdrug) through the use of what is known as Rhythmic Entertainment Intervention.The technique behind Rhythmic Entertainment Intervention involves mapping howthe brain can change in function once it is subjected to auditory stimulation.The Strong Institute has used Rhythmic Entertainment Intervention for nearly 30years by developing different rhythmic patterns to stimulate the brain in veryspecific ways.

“We are not doing anything new here,” says Brain ShiftRadio Creative Director Jeff Strong. “For tens of thousands of years, indisparate cultures across the globe, rhythm has been used to shiftconsciousness and address abnormalities in cognitive function. We have simplytaken the culture out of the mix. We have put on the lab coat and worked tounderstand what rhythms drive the brain toward improved performance. BrainShift Radio is the current manifestation of our neurological work.

Simply put, you can take control of your brain without theuse of drugs.”

Strong, who currently deals with adult ADHD, had beenpursuing the use of rhythms to improve cognitive function when he found thatdrumming helped improve his focus.

“The Strong Institute is known for our out-of-the-boxapproach to neurological disorders,” says Strong. “We are simply improving upontechniques that have been around an awfully long time.”

Could an Internet hosted radio site legitimately replaceprescription medication? Strong boasts about of the radio’s capabilities. “Brain Shift Radio is an innovationthat could very well disrupt the status quo of campus illicit drug use. It isproven to improve focus,” he claims. “It is non-addictive, has no side effects,and does not induce habituation.”

Rhythmic Entertainment Intervention has also been used asmusic therapy for other mental disorders, including anxiety, brain injuries,Post Traumatic Stress Disorder and sleep disorders. Brain Shift Radio is simplythe newest tool available in this form of auditory therapy.

The Strong Institute also claims that, unlike the use ofdrugs such as Adderall or Vyvanse, Brain Shift Radio facilitates long termincrease in the ability to focus and have mental clarity.

The creators of the site look towards music therapy as thenewer and more holistic alternative to prescription medication. Music therapyis an established health-care profession that studies the therapeutic effectsof music on patients afflicted with emotional, cognitive and social disorders.

Michael Greene, president and CEO of NARAS (NationalAcademy of Recording Arts and Sciences) said of music therapy, “When we look atthe body of evidence that the arts contribute to our society, it’s absolutelyastounding. Music therapists are breaking down the walls of science and afflictionof autism, Alzheimer’s and Parkinson’s disease.”

For $6.99 a month or $59.00 a year, the site operates in away that allows the user to choose from a variety of tempos and beats that varyin speed and rhythm.

Once users have created an account, they will be able tochoose different beats to change their mental state to have more energy,meditate, uplift their mood, be calm, increase focus, sleep or just in general“boost the brain.”

In what can be described as varying beats made by tribaldrums, the beats vary by beats per second and rhythm complexity to alter themental state. Additionally, the listener is allowed to choose from a variety offive levels of intensity within each mood category, depending on how intenselythe altered state of mind is desired.

Students at UTSA are trying Brain Shift Radio to determineif this new form of music therapy really lives up to its hype. “After ‘boostingmy mood’ for a little while, I decided to use the radio to my advantage and‘improve my focus,’” says senior Spanish major Kevin Forester.

“My brain and mood shifted and I enjoyed the music. Istuck with Brain Shift Radio a bit longer and decided the trial is worthrevisiting, but, as a paid subscriber to Spotify, I think I’ll stick to payingfor only one internet music program.”

Whether or not Brain Shift Radio is worth its cost is thedecision of the individual user. The site boasts that, with the one-month freetrial, users will feel they can use the radio to successfully manipulate theirmental state without the potentially harmful effects of prescription drugs.
http://www.paisano-online.com/mind-control-or-music-therapy-students-try-alternatives-to-prescription-dru/


"Mind Control" Big K.R.I.T. for Marching/Pep Band Sheet Music Arrangemen
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Music, Mind Control, and Psychobiology 30 Sep 2015 05:47 #5

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11 comments for “Dr. Hans Utter Interview – “Music, Mind Control, and Psychobiology, Pt. 3” – #234”

Ralph Davis
August 17, 2015 at 9:33 am
This series is the most comprehensive discussion of contemporary cultural influences effecting and afflicting us all, but it also reveals the reverberating nuances of unintentional consequences to even subtler subversions of consciousness.

There’s just so much specific information that we can process to any constructive, or, maybe better, reconstructive effect of reflective balancing of consciousness, so although the, say, post WWII period that coalesced much of preceding experimental psychology under the MKULTRA umbrella, we need to remember that humanity has been under violent duress and twisted by occulted powers for many millennia. The problem didn’t arise and its machinations didn’t simply originate in our culture in the postwar era.

I stress this because, despite marginal qualification of references to central characters like Crowley in prior generations, the discussion seems to imply a certain onus on ‘boomers’ as somehow more culpable dupes than, say, ‘millennials’.
Speaking as a ‘boomer’; my personal rebellion against the ‘establishment’ of the times was the regimentation and mindless rote nature of deadening public ‘education’ imported from Leipzig by Rockefeller’s legions just prior to their war conditioning for killing ‘Communist’ southeast Asians opposed to dominating tradition of western colonization and in support of puppet fascist proxies.

So, condem Woodstock as Satanic ritualization of purely self-indulgent adolescents if you must, but when Country Joe McDonald sang ‘..what are we fighting’ for, don’t ask me and I don’t give a damn, next stop is Viet Nam, he was voicing the sardonic disgust of a youth culture being inducted by its elders to conduct hideous war of genocide against a people who simply sought liberty from colonial oppression. Some of us simply refused to be state killer robots.

Let’s try to keep it in perspective when seeming to condemn a generation of youth more willing to ‘make love, not war’, when the first appeared as freedom to choose life and the second a deadly horror of imposed inhumanity.

This existence knows no bounds to corruption of the mind, and the road to Hell remains paved by good intent. Humility on us all.


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gnosticmedia
August 17, 2015 at 10:30 am
“So, condem Woodstock as Satanic ritualization of purely self-indulgent adolescents if you must, but when Country Joe McDonald sang ‘..what are we fighting’ for, don’t ask me and I don’t give a damn, next stop is Viet Nam, he was voicing the sardonic disgust of a youth culture being inducted by its elders to conduct hideous war of genocide against a people who simply sought liberty from colonial oppression. Some of us simply refused to be state killer robots.”

We’re not condemning it because we must, but because it’s a simple fact that it’s a Dionysian mystery ritual. Study Dr. E. Michael Jones, too. Don’t know what the heck a rock concert ritual, with “rock idols” on stage, who mostly came out of Laurel Canyon and were sons and daughters of intel, has to do with the conduct of the hideous war…? Seems it was to stop the efforts rather then to help them along. I mean, you know, Jim Morrison’s Dad started the war. So you couldn’t be against the war without the mud and the catchy tune and the sex and drugs? hmmm… Indeed, let’s keep it in perspective. The “boomers” were mind controlled – that’s the truth. It’s just controlled opposition. You guys fell for it, I’ve fallen for it, most people have… Regarding the “”freedom to choose life” – it’s ironic that the peace and free love hippie community is also the the same group – with mind control assistance – who promoted abortion to make up for their “free love” choices… So you save a life here, kill one over there… but as long as it’s all in “free love” and “sex”…

I mean, it’s just a bad, dumb, approach to the problem all the way around.
http://www.gnosticmedia.com/DrHansUtterInterviewMusicMindControl_234


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Music, Mind Control, and Psychobiology 30 Sep 2015 05:55 #6

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Mind-Control Music

Music has great power. It can Soothe The Savage Beast, it can inspire courage in the hearts of men with a stirring march, or bring tears to your eyes with an eulogy of loss and longing. Is it really such a stretch to assume that, with the right resonance, the right voice, the right instrument, it can fully control the very hearts of man?
Quite often, however, the enchantment lasts only as long as the song does... but depending on the particulars, it may do anything from simply putting everyone who hears it into a paralytic trance, to inflicting a specific, overpowering compulsion (such as homicidal rage or suicidal despair) to putting them under full and permanent More Than Mind Control.
This is the preferred method of the Enthralling Siren, and indeed pops up a lot in mythology. The Evil Diva also has a good chance of utilizing her music to enslave her fans. A Snake Charmer often uses this kind of music as well. Subtrope of Magic Music. Inverted by the The Music Meister who uses Mind Manipulation to make music (although the Trope Namer did both).
http://tvtropes.org/pmwiki/pmwiki.php/Main/MindControlMusic


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Music, Mind Control, and Psychobiology 30 Sep 2015 06:03 #7

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More Than Mind Control

Mind Control is an effective weapon, but your garden-variety brainwashing or hypnosis is too mundane for some viewers, too predictable for some plots, too weak for some heroes, and too unambitious for some villains.
To that end, mind control in some cases requires a lot of foreplay, independent of magic influence, on the part of the villain. You can't force someone to reject The Power of Friendship until you pick away at their jealousy and convince them they want to turn on their friends. You can't erase someone's memories until you talk them through the most painful ones and convince them they want to forget everything. You can't make someone join you without convincing them their current life is worthless and they don't want to continue with it. It's essentially mind control, yes, but it's more than mind control.

Magic forces may be at work, but it's really the despair, trickery, lies, and sometimes even carefully-selected truths, that are thrown in that successfully break the victim's spirit. Instead of the villain forcing a victim to do something against their will, the villain changes the victim's will. It's Deal with the Devil meets Break Them by Talking.

So, if you have to talk someone into mind control, what's the point of using magic or high tech at all? Creating illusions can help make your case. Isolation is key, so magically cutting them off from support is effective. Maybe science or sorcery is just needed to accelerate the effects. In extreme cases, outright Mind Rape is utilized. This type of brainwashing, called Stockholm Syndrome in the real world, supposedly requires a minimum of 72 hours, but with a sci-fi or sorcerous catalyst, it can be achieved in less than 72 seconds.

Also, it can overlap directly with actual mind control. In many instances, More Than Mind Control is simply a method of making the process of the takeover easier, because by removing their resistance to your ideas, you remove the struggle in taking control of their thoughts. By having them submit to you, they essentially hand their free will over to you, making your spell or device much more effective on them. It also makes it harder for them to revert, because they now have an active resistance towards their own original beliefs.

More Than Mind Control requires charisma, finesse and a lot of patience, but villains usually don't mind because they find it so much more satisfying. They also get a great deal of amusement out of telling the victim's friends, "I didn't force him to do anything he didn't want to do." It's also more resistant to the powers of friendship and love. Plus, it's just a lot cooler to watch. Villains don't even necessarily need special powers to do it, if they can goad the hero into doing something they'll regret by pushing the right buttons. The Corrupter in particular is a master of the art.
Sometimes, the villain will try this on the whole team at once; they're usually saved by the Badass Normal, The Chick / The Heart or All-Loving Hero, who will point out the ways that the villain is distorting the truth. Usually accompanied by a Shut Up, Hannibal! speech to the culprit.
This is a favorite technique of Manipulative Bastards and anime villains. Victims may or may not exhibit Mind-Control Eyes. It also frequently comes with a creepy voice change, probably as a Shout-Out to Darth Vader of Star Wars.

It's common in the West, too. Indeed, it's been around much longer than television. This form of mind manipulation was, for example, a standard talent of personifications of despair in Renaissance British literature like The Faerie Queene and Pilgrim's Progress.
Occasionally, the victim's friends will have a standard counterspell, anti-psionic technique, or other fantastic means of quickly canceling vanilla mind control common to the setting. Expect them to try it on the More Than Mind Controlled character, only to react in dismay as they realize: "He's acting of his own free will!"

This is an example of Truth in Television, because real-life hypnosis requires that the person subconsciously want to do whatever they're doing. And even more so in that there does not appear to be any true mind control that works in real life, only more and more extreme versions of More Than Mind Control that can in extreme cases appear like straight brainwashing to third parties. The general term for this is coercive persuasion, and it is used by most cults, including the Church of Happyology. Svengali mentors will use this.
Compare The Heartless, Face-Heel Turn. Overlaps with Jedi Mind Trick and Brainwashing for the Greater Good. Contrast Fighting from the Inside, though it can happen after More Than Mind Control if it's rushed or botched. May overlap with Living Doll Collector and Glamour. It usually takes hard core Deprogramming to remove, unless the controller asks the wrong thing.
See also: Blank Slate, Conditioned to Accept Horror, Nurture Over Nature, Rousseau Was Right, Stockholm Syndrome and Then Let Me Be Evil
http://tvtropes.org/pmwiki/pmwiki.php/Main/MoreThanMindControl



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Music, Mind Control, and Psychobiology 30 Sep 2015 06:10 #8

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Mind Control in the Music Industry
February 22, 2012 § 37 Comments

By Tai Carmen

“As an artist, I think delusion is the greatest gift that you can bear.” ~ Lady Gaga

You’re not supposed to take pop music seriously. By definition, it is fluff; pure sugar. But sugar, sweet and insubstantial as it is, can be a dangerous thing.

Music is a powerful force. And pop music holds great influence over the masses. It’s worth noticing, then, what kind of messages are being broadcast to our minds via the pop music industry.



As the slew of buzzing conspiracy sites can attest to, there has been a distinct and disturbing trend in the pop music imagery of the past several years, which propagates the glamorization of mind control themes.

Whether it’s Lady Gaga portraying an insane asylum through a high fashion lens in “Marry the Night,” or Britney Spears posing as a laboratory marionette with tubes coming out of her bandaged fingers in “Hold it Against Me,” pop stars are all pumping out the same recycled slew of mind control themes.

Many people may not realize that the practice of trauma-based mind control has a very real and chilling history in the US: in the 1950s and 60s the CIA conducted covert and illegal experiments on unwitting citizens, now declassified and known as project MK ULTRA.

If you’re not familiar with this subject, be prepared to discover a disturbing facet of American history. The image below is shocking—it’s the only photographic image online from the MK Ultra files, most of which have been destroyed—but I offer it under due consideration to substantiate the argument that conspiracy theories of trauma-based mind control are not so far fetched.



The published evidence indicates that Project MK ULTRA was a government-funded operation created with the goal of studying various methods of mind control, using the surreptitious administration of drugs and other chemicals, hypnosis, sensory deprivation, isolation, verbal and sexual abuse, as well as various forms of torture.

Project MK ULTRA was first brought to public attention in 1975 by the U.S. Congress, through investigations by the Church Committee, and by a presidential commission known as the Rockefeller Commission.

Although the CIA insists that MK ULTRA-type experiments have been abandoned, 14-year CIA veteran Victor Marchetti has stated in various interviews that the CIA routinely conducts disinformation campaigns and that CIA mind control research continues. In a 1977 interview, Marchetti called the CIA claim that MK ULTRA was abandoned “a cover story.” (Project MK-ULTRA.)



So why does the fashion and music industry glamorize these atrocities? The question, complete with spooky implication, remains. But that such themes recur with bizarre and increasing regularity, should be of interest, not just to conspiracy buffs, but to every thinking citizen.

According to experts, one of the consequences of trauma-based mind control is the creation of several different personalities, called alter egos. This deliberate compartmentalization and fragmentation of the whole person allows for more control over the subject/victim: one alter ego, for instance, could hide something from another. So, in theory, a “dark” alter ego could be created to carry out actions distasteful to the dominant personality.

Considering this, it’s odd to note how many celebrity recording artists have publicly discussed their “alters” as though it were the most natural thing in the world.

“This alter ego takes over when I am on stage. She is really wild and daring and a much more impulsive performer than I am. Her name is Britannia. When I am her I feel I can take on the world, normally I am pretty shy.” ~ Britney Spears

“Slim Shady is just the evil thoughts that come into my head, things I shouldn’t be thinking about.” ~ Eminem

“I had to separate the two because Mary is nice, you know, intelligent. Brook-Lynn is crazy and ignorant and she don’t care.” ~ Mary J. Blithe

“I have someone else that takes over when it’s time for me to work and when I’m on stage, this alter ego that I’ve created that kind of protects me and who I really am. When I’m onstage I’m aggressive and strong and not afraid of my sexuality. The tone of my voice gets different, and I’m fearless. I’m just a different person.” ~ Beyonce

The Beyonce/Sasha Fierce phenomenon has been particularly driven home, as can be experienced during this odd footage glamorizing the splitting of personalties, shown at a Beyonce concert.


Notice the two Beyonces are quite obviously divided into “pure/innocent/good-in-a-boring-way” Beyonce and “sexy/corrupt/dark/bad-in-a-good-way” Beyonce. The coin symbolism is quite clear as well: two sides of the same coin; black & white polarization. Obviously, the former is portrayed as a goody-two-shoes and a wimp, and the vixen wins our favor with her superior, fierce fashion and high-powered queenly self-possession. We can hardly help but feel our sympathies allied with the dark Beyonce, aka Sasha Fierce. But who is Sasha Fierce?

“Many years ago,” Beyonce explained to the press, “I named my alter ego Sasha and it’s something that stuck. So when I was trying to decide the title of my album… I realized it had two different sounds. One represented who I really am and one sounded like my alter ego, so I decided to split it into two. Because I feel like Sasha is a big treat for my fans. It’s definitely exciting being able to have an excuse to be so over the top.”

Anyone with knowledge of psychology knows that splitting the personality into “good” and “bad” is an unhealthy coping mechanism.

“Splitting can be seen as a developmental stage and as a defense mechanism. In psychoanalysis, there are the concepts of splitting of the self as well as splitting of the ego. This stems from existential insecurity, or instability of one’s self-concept. The borderline personality is not able to integrate the good and bad images of both self and others, so that people who suffer from borderline personality disorder have a bad representation which dominates the good representation.” (Splitting.)

As humans we have both positive and negative impulses. We should foster self-acceptance and positive action, not internal division. To promote compartmentalizing, rather than integrating, these conflicting inner aspects is to advocate a problematic road.

“What I feel onstage,” says Beyonce, “I don’t feel anywhere else. It’s an out-of-body experience. I created my stage persona … so that when I go home, I don’t have to think about what it is I do. Sasha isn’t me. The people around me know who I really am.”



It seems odd for the singer to describe wanting to “forget what it is she does,” as if it were something dirty. And the description of feeling outside of her body, while channeling a personality she has described in interviews as “someone I wouldn’t want to meet on the street,” sounds notably dissociative.

It’s understandable why so many demonic possession threads surround the singer. Beyonce went from the girl next door to a vixen sporting satanic goat skull imagery overnight. Now she has told press: “Sasha is done. I killed her.”

These sound more like the words of a troubled teen than a world-renowned performer in her thirties. And troubled teens everywhere are hanging on her every word.



Nicki Minaj, known for her brash style, multiple wigs and personalities, describes her alter ego “Roman Zolanksi” as a “crazy boy who lives in me and says the things that I don’t want to say. He was born just a few months ago. I think he was born out of rage. He was conceived in rage. So he bashes everyone. He threatens to beat people and he’s violent.”

The interviewer, of course, treats all of this like it’s perfectly normal and even funny, despite Nicki’s strangely expressionless delivery: “That must be nice,” he says off camera, “to have, like, an ignorent loud mouth so you can just sort of blame every–” Nicki Interjects: “He wants to be blamed. I don’t want to blame him. I ask him to leave. But he can’t. He’s here for a reason. People have brought him out. People conjured him up and now he won’t leave.”

The fact that she concludes another interview by snarling demonically and proclaiming that “anybody who ever doubted Roman is going down in a coffin” is seen by the world as harmless theatre. More recently she has been quoted as saying that Roman is her favorite of all her different personalities because “everybody else started to like Roman, so he became my favorite.”

In a recent interview with Ryan Seacrest, Minaj details creepily: “He wanted to show that not only is he amazing, but he’s never going to be exorcised, even when they throw holy water on him, he still rises above.”

That the scratchy-voiced singer chanting “Take your medication, Roman! Take a long vacation, Roman!” while handcuffed to an upright table, electroshock -style, and surrounded by hooded figures has been touted by the press as a “show stealer” at the recent Grammy Awards ceremony shows the sad state of pop music today. (She has called the performance “Roman’s coming out party.”) That she is shouting “Stop! Get me out of here!” in the beginning of the performance is emblematic of a troubling trend.


Electroshock therapy imagery is everywhere these days. It’s hard to find a Lady Gaga video without it. She skirts the issue in “Yoü and I,” a video fraught with mind control imagery and multiple selves, including Gaga’s recent alter ego, a greasy Italian dude she calls “Jo Calterdone.” In interviews she says the video is about “the crazy things people will do for love.” She explains the weird scenes in the barn, when her lover straps her down by the wrists and ankles to an upright table, as being about her “mad scientist boyfriend turning her into a mermaid.”

But throwing in fanciful ideas like mermaids doesn’t change the undeniably disturbing nature of being strapped down in a barn and experimented on; adding the fact that the mad scientist is supposed to be her character’s boyfriend only ups the creep factor.



And why is the version of Gaga narrating the conclusion wearing weird straps and wires on her jaw like it’s the latest trend?

You might recognize this look from the earlier MK ULTRA image (echoed quite directly in the image of Gaga at the top of this post.) But this video is about the crazy things we do for love, right?

The shock pop star’s video “Marry the Night” starts out in a Girl Interrupted-style insane asylum, where Lady Gaga is being wheeled in on a gurney in post-surgical garb after apparently having had her spine removed. The voiceover notes:

“When I look back on my life, it’s not that I don’t want to see things exactly as they happened. It’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest because I invented it. Clinical psychology tells us arguably that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It’s sort of like my past is an unfinished painting and as the artist of that painting I must fill in all the ugly holes and make it beautiful again. It’s not that I’ve been dishonest, it’s just that I loath reality.”

Later, looking wearily up at her nurse, a traumatized-looking Gaga says she is going to be a star, because she has “nothing left to lose.”


“See the girl to your left?” she asks the viewer as the nurses wheel her into a spooky psychiatric ward of half-naked, tranced out, trouble women…”She ordered gummy bears and a knife a couple hours ago. They only gave her the gummy bears. I wish they’d only given me the gummy bears.”

Gaga has told press that the video is intended for ‘art to imitate life’ and depict her journey to stardom. For those wondering what left Gaga so traumatized on that journey, MTV.com has the artist’s official answer: “The video is a metaphor for how she felt when she was dropped from her first record label, Island Def Jam, before landing at her current home at Interscope.”

A statement that leaves us wondering exactly what that transition from Def Jam to Interscope entailed!
https://taicarmen.wordpress.com/2012/02/22/mind-control-in-the-music-industry-part-1/


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Music, Mind Control, and Psychobiology 30 Sep 2015 06:15 #9

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ILLUMINATI MUSIC IS MIND CONTROL * IT WILL SLOWLY DESTROY YOU *

http://www.dailymotion.com/video/x319fkg



Subliminal Music Mind Control
Extreme Noise Terror


The government's way of locking up your mind
To make you believe everything's fine

Subliminal music mind control
Subliminal music brain death
Subliminal music mind control

Synthetic music to numb the brain
Buy this shit just to fit in
Brainwashed by pop-songs, fantasy world
Moulded into the perfect clone
https://ouvirmusica.com.br/extreme-noise-terror/513882/



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Last Edit: 30 Sep 2015 06:21 by Mario.
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Music, Mind Control, and Psychobiology 30 Sep 2015 06:29 #10

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Hell .... what is not transformed into a weapon??

Hope in the end all there weapons created is what will kill them slowly.

Yes there own weapons need to be used against them to bring them to there end.........

Revenge is sweet... How much blood have they all collected on there hands already.
How many did they placed into there graves?? :facepalm: :iitm:

I would love to see; those which are effected by there weapons in one or another way will be there judges in the end. :yup: :yup:

Know thy true Enemy & hell don't let them get away with it!
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Last Edit: 30 Sep 2015 06:30 by Mario.
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Music, Mind Control, and Psychobiology 01 Oct 2015 05:28 #11

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Sacred Geometry - Proportion in Musical Scales ( part 1)

www.sacred-geometry.es/?q=en/content/proportion-musical-scales


On the concert pitch A=432 and c=128 ( part 2 )

www.sacred-geometry.es/?q=en/content/concert-pitch-a432-and-c128
I remember the good old days, when 90+ year olds in nursing homes lived forever. Darn this pesky virus.

1365 = 1

1.1365 = 1,283,305,580,313,352
Last Edit: 01 Oct 2015 05:30 by novum.
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440hz was imposed replaced frequency 432hz harmony -- Music, Mind Control, and Psychobiology 01 Oct 2015 07:19 #12

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My posting from 2 years ago
440hz was imposed replaced frequency 432hz harmony

And look at the image
now you know why we are listening to sh@t most of the time & why so many people are so aggressive after hammering there heads with Satan's imposed system sound!

This is no freaking joking these f@ckers running the show are worse then just Satan fucks ............ & some say give them love! Ask Jesus what should be done with all of them!

Anti Human anti life f@cks they are!


Interesting too & should be noted! ...... don't I wonder why? Its again all in the numbers!


Quote from article: 440 was imposed frequency

The number in words and its count & related words: (All just coincidental?)
FOUR FOUR ZERO = 184 = 13 = 4 = †

FOUR HUNDRED FORTY = 218 = 11 = 2 = ∏
GOD IS FATHERS TRUTH (218) = 11 = 2 †
THE BEGINNING OF WISDOM (218) = 11 = 2 †


440 ÷ 3 = 146.666666666666


Quote from article: I have found that 432 Hz is the ideal

432 ÷ 3 = 144

FOUR THREE TWO = 174 = 12 = 3 = ∆ = TRINITY


BODY OF CHRIST = 144 = 9 = ⊕⊗ DOUBLE HELIX CODE = 144 = 9 = ⊕⊗ ELECT RAPTURE = 144 = 9 = ⊕⊗
ETERNAL PEOPLE = 144 = 9 = ⊕⊗ FIFTEEN SHEKELS = 144 = 9 = ⊕⊗ FOUR NINE FIVE = 144 = 9 = ⊕⊗
G-D THE EVIL DEVIL = 144 = 9 = ⊕⊗ GOD IS SELF AWARE = 144 = 9 = ⊕⊗ GOD'S RAPTURE = 144 = 9 = ⊕⊗
I AM ABEL FOR ACTION = 144 = 9 = ⊕⊗ I AM ALPHA AND I AM OMEGA = 144 = 9 = ⊕⊗LORD ALMIGHTY = 144 = 9 = ⊕⊗
MARK OF THE BEAST = 144 = 9 = ⊕⊗ MULTITUDES = 144 = 9 = ⊕⊗ MULTIVERSE = 144 = 9 = ⊕⊗
NINE IS THE KEY = 144 = 9 = ⊕⊗ NOTHINGNESS = 144 = 9 = ⊕⊗ ONE FIVE EIGHT (S) = 144 = 9 = ⊕⊗
PERFECT PEARLS = 144 = 9 = ⊕⊗ REVERSE SIX = 144 = 9 = ⊕⊗ SECRET JEWELS = 144 = 9 = ⊕⊗
SECRET PARABLES = 144 = 9 = ⊕⊗ SECRET SONGS = 144 = 9 = ⊕⊗ SENSIBLE SLAVE = 144 = 9 = ⊕⊗
SERPENT OF GOD = 144 = 9 = ⊕⊗ SIGN OF CROSS = 144 = 9 = ⊕⊗ SONS OF LIGHT = 144 = 9 = ⊕⊗
STONE TEMPLE = 144 = 9 = ⊕⊗ SURVIVOR = 144 = 9 = ⊕⊗ THE CHOSEN OF GOD = 144 = 9 = ⊕⊗
THE COMPUTER = 144 = 9 = ⊕⊗ THE GATE IS OPEN = 144 = 9 = ⊕⊗ THE GOD OF ISRAEL = 144 = 9 = ⊕⊗
THE GOD OF ZION = 144 = 9 = ⊕⊗ THE ILLUSION = 144 = 9 = ⊕⊗ THE PHASE SHIFT = 144 = 9 = ⊕⊗
THE SECRET KEY = 144 = 9 = ⊕⊗ TREASURERS = 144 = 9 = ⊕⊗ TWO SIX ONE = 144 = 9 = ⊕⊗
WEDDING GARMENT = 144 = 9 = ⊕⊗ WISE APOSTLE = 144 = 9 = ⊕⊗
The harmony image reminds me of this image>>>


The Image speaks for itself & should proves reality even to the biggest hollow head troll on earth!!! >>>



I've been reading about alternate tuning and done some of my own research into the subject.
The standard tuning for instruments is A = 440 Hz This was decided in 1939 and this is the only official standard tuning around the world.
My preferred tuning is A = 432 Hz which according to some studies is a more harmonious frequency, in tune with natural law.
You can see for yourself with these two water sound images of the two frequencies.
http://www.soundfromtheheart.com/2012/12/432-hz-compared-to-440-hz.html


No wonder people appear disturbed once they leaving there Discos listening to shit again created by your Masters!


Modern Music = Emotional Engineering

WAKE UP PEOPLE! Modern music
was engineered to rot your mind
and pervert your morals -


by Monica
(henrymakow.com)

Quite frankly, I find discussions like the one of Heavy Metal, below the usual intelligence quotient of your readers. In the first place, Heavy Metal falls into the same category as ALL "music" created since about 1900 - it is not for entertainment but for complex emotional engineering.

Up until the early part of the last century, music was for both entertainment and for cultural expression, something that built and strengthened society on a much deeper level than mere amusement.

It was to elevate the heart and mind - and in many orchestral pieces from 1300 to 1800, to elevate them to aid in the contemplation of the divine. "Music doth calm the savage breast" is no idle comment!

In order to dispose Western Civilization to the relaxed morality being promoted to them during two world wars, it was necessary to undermine them emotionally.

Music, being a generally popular accompaniment to entertainment and casual assemblies (ie; dances, bars, restaurants) was the perfect vehicle to re-engineer. Take, for example, the Flapper music (Charleston), Gershwin, Scott Joplin, etc., all very breezy, fluff-for-substance, trivial muzak, irrespective of the technical requirements for musicians.

When the tuning frequency of 440 hertz was imposed on the music world via the Royal Conservatory of England, through the research of German scientists, it was not for the good of music or those who listened to it, but rather, to have the opposite effect.

Overnight, this poisonous frequency over ruled all musical preferences, for the Conservatory had absolute control of certification, thus all world-wide instruction. (Just try to get a job teaching in music, anywhere, without Royal Conservatory certification!)

Coupled with frivolous, beat-heavy music, indeed a change began to be made manifest in the nature of dance, and people's inhibitions in general when exposed to this music, when out in public, and even more so when few eyes were watching!

It was tidy little coup for the Illuminati, bloodless and largely under appreciated, since the body of research behind it was shrouded in secrecy for years until such time as 440 was so entrenched that it was impossible to repeal.

Moral decay through music - subtle, powerfully subversive and largely unnoticed! As they say, the rest is history! Classical music, in all it's glory, was denigrated as "old fashioned" or downright unpleasant in the mass media, and for those who still loved it, 440 was imposed on it to rob it of it's vibrancy and mind soothing and elevating qualities.

First Comment by L.C. Vincent
My own research on the subject confirms what Monica stated; sacred tuning demands that any tuning standard be based on the theory that "A" be divisible by 3. I have found that 432 Hz is the ideal "A" frequency, based on the research I did for my book.

http://henrymakow.com/2013/06/modern-music-social-engineer.html


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Music, Mind Control, and Psychobiology - Scott Samuel "Scooter" Braun Justin Bieber handler? 15 Feb 2016 21:13 #13

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Scott Samuel "Scooter" Braun

Braun was born in New York City, to Ervin and Susan Braun.[6] While studying at Greenwich High School in Connecticut, he entered a video documentary contest for National History Day with a 10-minute piece entitled The Hungarian Conflict, about Jews in Hungary before, during, and after the Holocaust. The film won in regional and state competitions and then placed third overall.[7] A member of Braun's family sent the film to Steven Spielberg's office, who, in turn, submitted Braun's video to the United States Holocaust Memorial Museum. Braun has said Spielberg's response was one of the most inspirational moments in his life.

Braun was born in New York City to Conservative Jewish parents,[15] Ervin and Susan (née Schlussel) Braun. Ervin's parents "had barely escaped" the Holocaust, and lived in Hungary until 1956.

en.wikipedia.org/wiki/Scooter_Braun




Is This Justin Bieber's Illuminati Handler?







Reference:

- TOPIC: The industry

- TOPIC: Ariana Grande - Break Free .... Embracing Kabbalah?

.
"The truth must be repeated over and over again,
because error is repeatedly preached among us, not
only by individuals, but by the masses. In periodicals
and cyclopaedias, in schools and universities; every-
where, in fact, error prevails, and is quite easy in the
feeling that it has a decided majority on its side."

~ J. W. v. Goethe

Johannes Lang "The Hollow World Theory" Blog
My Zone by PFIZIPFEI
Last Edit: 15 Feb 2016 21:17 by PFIZIPFEI.
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Music, Mind Control, and Psychobiology 31 Mar 2016 23:51 #14

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I mistakenly posted this somewhere else - it looks like it belongs here:

A discussion of Jim Morrison

CCN – UnSpun 016 – Jim Morrison and The Doors – with Jan Irvin & Joe Atwill (Irvin does Gnostic Media and Atwill wrote Caesar's Messiah (plus others that I can't remember)

Premise that Morrison was CIA or at least controlled. Links to CIA running the 60s counter-culture to destroy US society -pretty god job there- - freemasonry Crowley, Huxley (The Doors were named after a book authored by Huxley - The Doors of Perception), Bateson, Gordon Wasson (psychedlic mushrooms)



Truth is anti-semitic
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Music, Mind Control, and Psychobiology 01 Apr 2016 11:25 #15

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Which sneaky jew created Acid House and the Madchester craze? I'd like to thank them for the best years of my life thus far.
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