Four in 10 think British culture is undermined by multiculturalism
www.theguardian.com/uk-news/2018/sep/17/four-in-10-people-think-multiculturalism-undermines-british-culture-immigrationA multicultural society is one that is inherently prone to conflict, not harmony. This is why we see a huge growth in government bureaucracies dedicated to resolving disputes along racial and cultural lines. These disputes can never be resolved permanently because the bureaucrats deny one of the major causes: race. This is why there is so much talk of the “multicultural” rather than the more precise “multiracial.” Ever more changes and legislation are introduced to make the host society ever more congenial to racial minorities. This only creates more demands, and encourages the non-shooting war against whites, their civilization, and even the idea of the West.
How is such a radical program carried forward? The Soviet Union had a massive system of censorship – the Communists even censored street maps – and it is worth noting there were two kinds of censorship: the blatant censorship of state agencies and the more subtle self-censorship that the inhabitants of “peoples democracies” soon learned.
The situation in the West is not so straightforward. There is nothing remotely comparable to Soviet-style government censorship and yet we have deliberate suppression of dissent. Arthur Jensen, Hans Eysenck, J. Philippe Rushton, Chris Brand, Michael Levin, and Glayde Whitney have all been vilified for their racial views. The case of Prof. Rushton is particularly troubling because his academic work was investigated by the police. The attempt to silence him was based on provisions of Canadian hate speech laws. This is just the sort of intellectual terror one expected in the old Soviet Union. To find it in a country that prides itself on being a pillar of Western liberal democracy is one of the most disturbing consequences of multiculturalism.
A mode of opinion control softer than outright censorship is the current obsession with fictional role models. Today, the feminist and anti-racist theme is constantly worked into movies and television as examples of Bartold Brecht’s principle that the Marxist artist must show the world not as it is but as it ought to be. This is why we have so many screen portrayals of wise black judges; street-wise, straight-shooting lady policemen; minority computer geniuses; and, of course, degenerate white men. This is almost a direct borrowing from Soviet-style socialist realism, with its idealized depictions of sturdy proletarians routing capitalist vermin.
broadeningyourhorizons.wordpress.com/2014/01/10/multiculturalism-and-marxism-frank-ellis/ 
